An Uninvolved Narrator

I wrote a short story about a sorceress betrayed by a king. She offers to have the king’s son, but he reneges on his promise to marry her. Her revenge? She refuses him his heir by staying pregnant for eight years.

That’s the premise. The story, which is mostly about what happens to the boy after he’s born, is told from the perspective of the sorceress’ giant bodyguard. More or less an uninvolved narrator. He follows the boy and tells the story, but doesn’t contribute much of anything to the plot.

The story—in addition to being somewhat clunky in its current form—has just never worked. It comes across as mostly “tell” with huge narrative distance. Maybe due to the point of view. The giant just doesn’t have enough at stake to keep the tension high.

On the other hand, both sorceress and son die at the end of the tale, and since “dead men tell no tales,” the piece can’t be written from their perspective. Maybe one of them should live?  I might try writing it that way and see if it works.

Have a thought about the uninvolved narrator? Pass it along.

On the querying front, no news to report. I’m looking at a couple of interesting options, including #PitchWars in September.

One thought on “An Uninvolved Narrator

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